THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The Buster Keaton character has his feet on the bottom. He might be ashamed to parade his goodness. He takes advantage of ingenuity as opposed to divinity. Chaplin’s untidy like existence implies he felt he deserved whomever he wanted; Keaton in private lifestyle seems to happen to be melancholic on account of alcoholism, but a good adequate sort